Soft and thin material produces the most folds, especially around the bending areas.Stiffer materials are usually pulled more at the bending area or at the seams.Thicker material has wider folds that are usually less visible.Their texture dictates how diffused the shadows are. They all have their very own characteristics that help to decide where to put the appropriate folds. It is very important to consider the materials that you draw when dealing with folds. I’ve collected some pointers and commonalities here that I’ve come across so far. Understanding some common principles will make it possible to draw them convincingly in a more stylized way, like in an anime clothes style. The more realistic you want to draw and paint wrinkles, the more references you will need. There is no single rule on how to draw folds-The best way to understand drapery is to do as many studies of folds as you can. ![]() There are many different types and factors that influence them. ![]() Folds and wrinkles depend on the form they fall on.
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